Those two colours always carried elegance and nobility. Especially with lighting these shine brilliantly. The opulent lamps of the French Empire style are exquisite examples. For the elaborate cast elements we use the precious Kings Gold finish which can be polished by hand using semi-precious stones.

Many inspirations found impact in objects from this period. Organic shapes were creatively digested as well as foreign architectural concepts. For us this epoch was very interesting as designs truly challenged our craftsmen. Breathtaking chandeliers were designed by Architects Wimmer or Lichtblau.

The acquisition of the archives of an important Dutch chandelier maker in the 1920s enables us to still manufacture originals of this style in nowhere else to be found perfection and authenticity. Our craftsmen create with these objects the most beautiful variants of antique finishes. In modern applications the original polished finish is most sought after.

The emerging bourgeoisie craved for opulent lighting. Still they were stuck with cheaper materials than gold and crystal. This gave birth to the many types of wooden lighting fixtures depicting most predominant style since then. Even more so today wood is an interesting material for lighting in both an ecological context and a craft perspective.

Biedermeier saw the emergence of colourful crystal pieces such as fruits as decorations on chandeliers. Especially baroque shapes presented themselves as perfect medium for this custom. In the late 1950s this trend was reinvented by us with aid of prominent designers.

The emerging bourgeoisie craved for opulent lighting. Still they were stuck with cheaper materials than gold and crystal. This gave birth to the many types of wooden lighting fixtures depicting most predominant style since then. Even more so today wood is an interesting material for lighting in both an ecological context and a craft perspective.

The late 19th century Lobmeyr was the jewel in Austrias industry. We created stunning presentation of the Austrian hand crafting art, mirroring the creative impetus of Austria to that time. The few originals from this time are lovingly and carefully restored by our experienced craftsmen.

Drawing from the riches of the country the French tradition made great use of precious materials and elaborate techniques of hand crafting. Such astounding examples of opulence and glamour were created. But these were only a stage for the true riches of one: The simple candle!

With the advent of electric light wo collaborated with Thomas A. Edison and developed the first representative lighting using the new light. This enabled us to create chandeliers with the lights hidden in the body. The first items of this type were showcased at the Simplon Fair in Milano in 1906 which were milestones of a new style.

Josef Hoffmann was not only close friend with Ludwig Lobmeyr. He also relied on him for most of his designs in crystal as well as in lighting. So Hoffmann became one of our most influential designers of the early 20th century. The most outstanding creation is the Cologne Chandelier for the Werkbund Exhibition in 1914, since then on show in Viennas MAK.

With the advent of electric light wo collaborated with Thomas A. Edison and developed the first representative lighting using the new light. This enabled us to create chandeliers with the lights hidden in the body. The first items of this type were showcased at the Simplon Fair in Milano in 1906 which were milestones of a new style.

Early as 1870 Lobmeyr was one the prime suppliers for lighting in the Middle East. Styles developed for this market were also sought after in Europe. A second period of active work in the Middle East saw the 1970s and 80s. Milestones here are the Grand Mosques of Mecca and Medina thus creating modern Arab heritage.

Following our credo we crave to create new lighting ideas. Some instantly soar the market while others never make it to the drawing board. Some then emerge after decades as lost treasures or secret heroes. Our vast archives as well as close contact to architects and designers are sources of inspirations as is living with light.

The British isles are home to a flourishing glass culture. In lighting here a unique style with heavily cut items and opulent shapes is to be found. Based on this style we developed similar items in the midst of the 20th century. Today we also manufacture authentic copies of classical models from this type.

Josef Hoffmann was not only close friend with Ludwig Lobmeyr. He also relied on him for most of his designs in crystal as well as in lighting. So Hoffmann became one of our most influential designers of the early 20th century. The most outstanding creation is the Cologne Chandelier for the Werkbund Exhibition in 1914, since then on show in Viennas MAK.

In close collaboration with the architect and the principal we can best play all our competencies to create groundbreaking designs and technical achievements. The uniqueness of a situation, technical prerequisites, some mere architectural hindrances or special request by the designer or the principal often produce bespoke creations that spark new lines and ideas.

The grace and loftiness of Haerdtls early works made him to one of the most important designers of his time. His Parisian Chandeliers for the World Exposition in Paris 1937 are among the most beautiful designs ever created.

The acquisition of the archives of an important Dutch chandelier maker in the 1920s enables us to still manufacture originals of this style in nowhere else to be found perfection and authenticity. Our craftsmen create with these objects the most beautiful variants of antique finishes. In modern applications the original polished finish is most sought after.

Glass was one of the first materials used for lighting objects. In baroque chandeliers completely made from glass were created by Bohemian master glass makers influencing the chandelier tradition until now. We repeatedly drew from the lightness this techniques offer and created wonderful pieces in this tradition.

Glass was one of the first materials used for lighting objects. In baroque chandeliers completely made from glass were created by Bohemian master glass makers influencing the chandelier tradition until now. We repeatedly drew from the lightness this techniques offer and created wonderful pieces in this tradition.

The grace and loftiness of Haerdtls early works made him to one of the most important designers of his time. His Parisian Chandeliers for the World Exposition in Paris 1937 are among the most beautiful designs ever created.

Influenced by French Empire Austria developed a humble type of bag-and-tent chandeliers. From this derived the typical "Wiener Grüst,l" a delicate frame of brass with modest chains of crystal for decoration. Pieces of this type feature a modest elegance through unpretentious use of decorative fittings.

Influenced by French Empire Austria developed a humble type of bag-and-tent chandeliers. From this derived the typical "Wiener Grüstl," a delicate frame of brass with modest chains of crystal for decoration. Pieces of this type feature a modest elegance through unpretentious use of decorative fittings.

The Empire in northern Europe bore a unique style. Lofty shapes and gracious curves are predominant. In contrast to Central European models here the items feature lightness and shine with extensive crystal. Typical is a symbolism depicting the course of the sun with spirals or curved shapes.

The Empire in northern Europe bore a unique style. Lofty shapes and gracious curves are predominant. In contrast to Central European models here the items feature lightness and shine with extensive crystal. Typical is a symbolism depicting the course of the sun with spirals or curved shapes.

Two trends were predominant in the Jugendstil: The floral tradition was strongly influenced by organic shapes and created lofty and playful piece whereas the geometric tradition took the pride in clear and pure layouts of the lines. In both traditions we had the joy of applying our experience in crafts.

The crude and archaic iron is very versatile material. An experienced black smith can create raw and primal objects but also light and tender ornamentations with different techniques. Rural styles made great use of this options as well as religious designs.

The new confidence after the end of the war triggered in Vienna the new bloom of the coffee house as centre of social and cultural life. Many landmark projects were supported by creations of our workshops and design partners. The Café Prückl on Viennas Ringstraße is one of the best examples for our craft and the Zeitgeist of the time.

The chandeliers for the Metropolitan Opera in New York were the most important projects of this period, and gave birth to one of the most significant designs of the 20th century. The Met Chandelier is not only synonymous with Lobmeyr, it is the cradle for a whole range of designs. Now, 40 years later, this groundbreaking design is no less important.

After the sudden death of their father the fifth generation of owners embarked on a new journey. The Swarovski Crystals, made prominent internationally by us before were one important influence in this period. Another was the expertise for hand-cutting large crystals as centre pieces of chandeliers and not just finery.

After the sudden death of their father the fifth generation of owners embarked on a new journey. The Swarovski Crystals, made prominent internationally by us before were one important influence in this period. Another was the expertise for hand-cutting large crystals as centre pieces of chandeliers and not just finery.

The chandeliers for the Metropolitan Opera in New York were the most important projects of this period, and gave birth to one of the most significant designs of the 20th century. The Met Chandelier is not only synonymous with Lobmeyr, it is the cradle for a whole range of designs. Now, 40 years later, this groundbreaking design is no less important.

The modest Viennese Baroque features the elaborate crafting of iron, gilded with leaf gold. A significant example are the chandeliers in the Hofreitschule in Vienna. This technique was also influential the 1950s. We still manufacture this style in traditional materials using handed down techniques.

The modest Viennese Baroque features the elaborate crafting of iron, gilded with leaf gold. A significant example are the chandeliers in the Hofreitschule in Vienna. This technique was also influential the 1950s. We still manufacture this style in traditional materials using handed down techniques.

Biedermeier saw the emergence of colourful crystal pieces such as fruits as decorations on chandeliers. Especially baroque shapes presented themselves as perfect medium for this custom. In the late 1950s this trend was reinvented by us with aid of prominent designers.

The wall sconces Hans Harald Rath designed for the Met in 1966 proved a hidden treasure in our stock.

This spin-off is perhaps the most spectacular. A project with Candy & Candy involving a monumental version of the original sconce design planted a cunning idea. With the right project came the perfect opportunity to finalise the concept into a versatile and spectacular object. It can not only be used as a single pendant. it can be set up as a floor lamp or used to create cascades of multiples. The individual element can easily be scaled in length and in diameter. Both practically limitless.

The basic structure is a cut-out steel sheet that can be rolled to any diameter. (full pipes or segments to create larger diameters over 40 cm.

The crystals are set in the same manner as with the original sconces. The smaller the diameter of the pipe the slimmer the crystals get.